Movies are engrossing and alluring in a way that many other art types can't fairly capture. Technicolor has shut down its remaining movie lab; Fujifilm not makes movie for motion photos; Kodak, the last remaining producer, declared itself bankrupt in 2012 and not too long ago entered discussions with studios in a final-ditch attempt to make sure some sort of infrastructure to assist it. And in December 2013, The Wolf of Wall Street became the first major movie to be delivered to theaters in digital formats only—an occasion all of the more striking given the prominence of Martin Scorsese, who directed it, as a custodian of film history.
It's a humorous, melancholy valentine to actors, and to an trade suspended between the last gasp of the outdated-faculty studio system and the rise of New Hollywood — which might in turn give start to the ‘90s independent movie growth, making this film one thing of a stealth prequel to Tarantino's own profession.
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